There are approximately 82 Robin Hood movies (OK, more like five) in development at various studios right now, including the gritty Robin Hood: Origins starring Taron Egerton and Jamie Foxx. Should all those projects make their way to the big screen, we’re going to be experiencing a bit of Robin Hood fatigue, to say the least — that’s where Margot Robbie comes in.
After a series of delays and false starts (or near-misses, however you want to define it), Disney officially nixed Tron 3…but they didn’t take the Tron franchise off the table entirely. Just this week, Tron: Legacy director Joseph Kosinski divulged some details from the third Tron film (titled Ascension) and revealed that the sequel wasn’t totally dead, but in “cryogenic freeze.” According to a new report, Disney is gearing up to return to the world of Tron, with Jared Leto eyeing a lead role in the new project — but it’s not exactly a sequel.
When director Bill Condon confirmed that his live-action Beauty and the Beast remake features a gay character, it was only a matter of time before someone made a fuss over it. Turns out, that someone is a somewhere — a drive-in theater in Alabama, where the owner is refusing to screen the new Disney film because Josh Gad’s character, LeFou, is gay.
To say that the first trailer for Beauty and the Beast was evocative of the 1991 animated classic would be an understatement; it was a live-action carbon copy, and if Disney’s remake of Cinderella was any indication, we were in for yet another tedious — if visually stunning, well-acted and beautifully-designed — exercise in nostalgia-based capitalism. But Bill Condon’s live-action update of Beauty and the Beast is more reimagining than remake, a lavish and lovely take on a familiar tale (as old as time, no doubt) that enriches its source material without betraying it, embellishing a cherished antique with modern ideas.
A couple weeks back, 20th Century Fox released the final runtime for Logan — and it was a few minutes longer than the version that screened for press and industry folks, leading many to speculate that there was a post-credits scene attached. Given previous rumors that Ryan Reynolds had filmed a Deadpool scene for the Wolverine sequel, it was reasonable to suspect that perhaps Logan had a teaser for Deadpool 2 attached at the end. James Mangold denied these rumors, on all counts, but we now know exactly what is attached to Logan, and it both isn’t and is what you think. Spoilers ahead!
It took a few days, but the Academy of Motion Pictures Arts and Sciences has finally come to a decision: The two PricewaterhouseCooper accountants involved in this year’s Best Picture snafu, dubbed “Envelopegate,” will not be allowed to work at the Oscars again. In what instantly became the most memorable Oscar moment in recent memory (and perhaps all-time), La La Land was erroneously announced as Best Picture; it took two whole minutes (or more) for the PwC accountants to rectify the error and announce Moonlight as the correct winner.
After four films, you’d think Disney could come up with another villain for Pirates of the Caribbean besides water-logged ghosts. As it turns out, the fifth film does have something different to offer, sort of. New concept art for Dead Men Tell No Tales reveals a formidable addition to the spooky seas: Ghost sharks. Maybe we’ll see them in action in the new trailer, which arrives tomorrow.
When the first teaser images for Logan landed online last fall, there was something particularly intriguing about them — aside from the fact that this is Hugh Jackman’s final outing as Wolverine, of course. The photos were mostly in black and white, leading some to suspect that maybe the film itself was black and white. That suspicion was laid to rest with the arrival of the first teaser, but it might not have been entirely off.
In these bleak times, pleasant distractions have become a commodity; we’ll take all the joy we can get from wherever we can get it — like Michael Shannon singing his karaoke go-to song on The Tonight Show with Jimmy Fallon. Listen, you hardly need additional incentive to watch this clip (it’s Michael Shannon singing karaoke), but you might be interested to know that Shannon’s favorite karaoke jam is about as weird and wonderful as you’d expect.
Perhaps even more incredible than Envelopegate is how quickly the whole thing escalated, and our collective fascination with what instantly (and maybe inarguably) became the most memorable Oscar moment of all time. (To be fair, America was in desperate need of a distraction.) Faye Dunaway and Warren Beatty’s Best Picture envelope mixup is the best-worst thing to happen to the Oscars in years, but it’s not a mistake they’re eager to repeat; according to a new report, they’re considering a possible solution, which they’ll get around to as soon as they finish exhaustively scrutinizing this tweet.
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