Over the weekend, DC Comics (via Heroic Hollywood) released another version of the same character designs, this time ramping up the Alex Ross influence by having our favorite superheroes standing in profile together. It also aligns pretty well with that Comic-Con trailer, emphasizing both the Flash and Wonder Woman and downplaying (a little) Batman. All part of your lighter, brighter, and funnier Justice League, right?
With the exception of technical honors, there’s still probably no Academy Winner as surprising as Marisa Tomei in My Cousin Vinny. To be fair, Tomei’s performance is absolutely delightful — funny at times, forceful at others, and the perfect counter for Joe Pesci’s endless barrage of conversation — but movies like My Cousin Vinny don’t typically take home Academy Awards for anything, least of all performances. That award speaks to the soft spot everyone has in their heart for that film; it may not be the most prestigious work of either Tomei or Pesci’s careers, but it’s a hard movie to say no to after a long day at the office.
We’ve reached the doldrums of August, where studios release the titles not marketable enough for the summer movie season and not quality enough for serious award consideration. That means an odd mixture of horror films, formerly prestigious movies that have lost a little bit of their luster, and absolute junk just looking for a few screens to dominate for a couple of weeks. Oh, and what do you know? That perfectly describes this weekend’s new releases! Gee!
As someone in his early 30s, I feel like everything I do comes with the risk of hurting myself. I go for a run without stretching every single muscle? Hurt myself. I reach down to pick something up? Hurt myself. I sit in one position for an extended period of time without straightening out my back? Hurt myself. That’s just one of a dozen reasons why I find Tom Cruise so impressive: at 55-years-old, it’s not like Cruise is going to hurt any less after his physical activities, he just finds ways to pick himself back up after something goes wrong.
Leonardo DiCaprio has made a career out of playing historical individuals who were too smart for their own good. From Catch Me If You Can to The Aviator to J. Edgar to The Wolf of Wall Street, DiCaprio’s niche is to play fiercely intelligent men whose vision often exceeded their grasp. So who better to play someone as notoriously ahead of his time — and just as notoriously impatient when it came to finishing projects — as Leonardo da Vinci? The world-renowned painter, architect, and inventor will apparently be the subject of an upcoming biography, one that DiCaprio’s production company quickly snapped up before it even hit bookshelves.
Man, I hope someone at Warner Bros. is diligently saving the countless emails being sent about Justice League right now, because this is going to make one heck of a documentary. In the past two days alone, we’ve heard Joe Morton describe the studio as altering the entire story of one of the film’s core characters and Ben Affleck admitting that Justice League’s dual directors make it unlike anything in Hollywood history. And now, at least one rumor is making the rounds that suggests that Justice League’s reshoots were a lot more necessary than the studio would have you believe.
Here’s a guilty confession for you: I kinda liked the second Starship Troopers movie. Granted, I caught it on DVD when I was still a teenager, so I’m not entirely sure it withstands the test of time, but Starship Troopers 2: Heroes of the Federation is such a blatant ripoff of John Carpenter’s The Thing — a deserted outpost where a species develops the ability to mimic human physiology — that I couldn’t help but enjoy it a little. When you’re directed by a guy known for Star Wars and Robocop special effects, you’re at least going to have a few fun visuals to keep you company along the way.
While plenty of fans are undoubtedly excited to see Terminator 2 back in theaters next weekend, you’d be forgiven for wondering if it would come with completely reworked new segments. There was always a chance that James Cameron would pull a George Lucas and tinker like mad with his theatrical re-release. Well, good news: that doesn’t seem to be the case. In a recent interview with Entertainment Tonight (via iO9), Cameron explained that he was content to let his past work speak for itself, noting that he’s “changed as an artist” and didn’t want want to “second guess” himself on the creative decisions he made back in the early ’90s.
Here’s a question for you: is it time to add Vin Diesel to the list of actors whose career is defined entirely by a single film franchise? Sure, Diesel has shown up in other successful movies throughout his careers — Saving Private Ryan, The Iron Giant, and Guardians of the Galaxy have all been critical and commercial successes, not to mention his more niche productions like Find Me Guilty and his Riddick movies — but none of this holds a candle to his work on the Fast and Furious franchise. He’s been producer, screenwriter, and star of those movies for over 16 years now… I mean, nobody goes up to William Shatner and praises him for his work in Judgment at Nuremberg, right?
While Star Wars: The Last Jedi has been dominating the conversation, Rian Johnson’s film wasn’t the only movie featured in next week’s issue of Entertainment Weekly. Their annual Fall Movie Preview includes updates and photos from a handful of upcoming releases, including Stephen King’s It, arguably the most highly anticipated movie of the fall. We’ve already seen Mark Hamill fight people with a lightsaber, but a bunch of kids running around the Northeast in the 1980s fighting a supernatural monster? Why, we haven’t seen that since Stranger Things came out! And that was a whole year ago!
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